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Venus in the World of Sandro Botticelli

por Jaimie Hemphill (2018-12-12)


Leonardo Da Vinci is famous not merely just as one outstanding artist and creator of the variety of new principles in painting, and also as being a scholar, scientist, engineer and inventor. Many people associated the famous phrase "Renaissance man" primarily with all the name of Leonardo. At the time, none of his contemporaries, perhaps the most brilliant and versatile ones couldn't can rival his genius. A simple set of his scientific and practical interests sounds incredible: anatomy, botany, cartography, geology, mathematics, aeronautics, optics, mechanics, astronomy, hydraulics, acoustics, civil engineering, designing weapons, urban planning and much more.




In 1486, with the chronilogical age of 15, Durer entered Nuremberg painter Michael Wolgemut???s studio to examine painting. During several years, he learned the delicate depiction method from Flanders; later Durer started his journey of life within the Rhine area. In 1494, in the ages of 23 Durer crossed the Alps and first visited Venice where he found the art achievements of Renaissance and devoted his entire life to study them. In these 36 months, Durer studied anatomy and copied the works of Mantegna and Giovanni Bellini's works together rich artistic skills. In 1497 Durer returned to his home Nuremberg and opened his very own studio, trying to bring the influence from Italy to their own style. In 1505, with the day of 34, Durer attended Venice. At that time, his works had deeply impressed Giovanni Bellini as well as other painters.




In honour of Phidias, the truly great Greek sculptor from about 400 BC who used the golden proportion extensively in his sculptures, the proportion has become popularly known as Phi, the 1st letter of Phidias' name. Since 1509 the golden ratio has also been known as the divine proportion; in 1509 Luca Pacioli published a three volume book for the ratio entitled De Devina Proportione. Pacioli saw religious significance in the proportion, hence the title of his book. The book was a major relation to artists and architects for hundreds of years.




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