Multivers, non merci. Réflexions à partir d’un film en vogue

Abstract

We are witnessing a progressive decrease of narrative texts constructed in a classical way, in favor of non-linear texts, founded on the intersection of many virtual narrative lines. The recent hit film Everything Everywhere All at Once, based on the fashionable concept of multiverse, while it would seem to go in this direction, actually distances itself, thus leading us towards a series of thoughts that concern the evolution of the Aristotelian model, the relationship between narrative and life experience, the place of narrative forms in contemporary culture.