Mário de Andrade and the formalizing freedom

Abstract

Within the plethora of reading possibilities of Mário de Andrade’s works and the analysis of his artistic persona, seeking  knowledge about him, about the other, about Brazil, and about art,  sounds richer, since it challenges the researcher to face some issues of philosophy, such as will power, consciousness, freedom, subjectivity. In order to support our ideas, we refer to Hegel, mainly his article Aesthetics delimitation and refutation of some objections against Art Philosophy (Aesthetics Course I, 2001) from which we have taken the concept of formalizing freedom, since it can be considered adequate to understand Mário de Andrade’s artistic trajectory. Besides, the concepts of thinking freedom and thinking knowledge freedom, also dealt with in the same article, are pertinent to the present essay since, they are related to issues concerning autonomy, judgment and consciousness regarding art.