Praise Of Black And Crossbred Rhythmic: Acoustic Tropicalisms in contemporary
Keywords:
Brazilian music memory, tropicalism, music apartheidAbstract
This work intends to explore the acoustic memories of contemporary Brazil. Melody, rhythm, instruments, poetry and sound linked to narratives of Africa-Brazil circuit. Musicality forged by mixture and padê, by a gregarious sense of life. Musicians and music that refused to accept the primacy of the melody over drums. The contemporary acoustic tropicalisms excelled by opening, exchange and injuctions. They choose a total refusal of sound apartheid. Let's celebrate padê as a promise of future.Downloads
Published
2012-04-10
How to Cite
Azevedo, A. M. (2012). Praise Of Black And Crossbred Rhythmic: Acoustic Tropicalisms in contemporary. Projeto História : Revista Do Programa De Estudos Pós-Graduados De História, 43. Retrieved from https://revistas.pucsp.br/index.php/revph/article/view/7771
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Copyright (c) 2012 Projeto História : Revista do Programa de Estudos Pós-Graduados de História
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This work is licensed under a Creative Commons Attribution 4.0 International License.
Este obra está licenciado com uma Licença Creative Commons Atribuição 4.0 Internacional.