JAMES JOYCE’S ARABY IN INTERARTS PERSPECTIVE OF CHINESE CLASSICAL ART THEORIES

Autores/as

  • Hu Min School of Foreign Languages, Wuhan University of Technology

DOI:

https://doi.org/10.23925/2179-3565.2020v11i4p04-11

Palabras clave:

Interarts, Ekphrasis, James Joyce, Araby, Chinese classical art theories, Cai Yong

Resumen

This paper explores the states of Chinese classical art theories in James Joyce’s Araby, revealing the idea resonance beyond visual and language media. The research method is Ekphrasis, a burgeoning interdisciplinary humanity in the 90s of the 20th century, providing opportunities for interarts researches, not only pictures in the poetry or the poetry in pictures, but multidimensional appreciation methods. James Joyce’s Araby is analyzed in this paper by enlightenment from calligraphy theories of Cai Yong, an official and scholar of the Eastern Han dynasty, to create interarts appreciation.

 

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Publicado

2021-01-08

Número

Vol. 11 Núm. 4 (2020)

Sección

Papers

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