La creatività nel campo semantico dell’innovazione

Authors

DOI:

https://doi.org/10.23925/2763-700X.2022n4.60166

Keywords:

créativité, innovation, règle, transgression

Abstract

The concept of creativity is considered here as referring to an instrumental process of diversified transformations calling for the definition of the various possible interpretations of the notion of innovation. Beyond the ideological dimension currently privileged due to an undiscussed overrating of this process, the article stresses on the contrary how another form of appropriation of the rules — nay, their transgression (and thereby, their negation) — may serve as a creative matrix.

References

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Antonelli, Carlo, “L’innovazione come proprietà emergente di un sistema economico”, IRIS, marzo 2016.

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— Mettere al mondo il mondo. Tutto quanto facciamo per essere detti creativi e chi ce lo fa fare”, Milano, Bompiani, 2021.

Bertrand, Denis, “Introduction”, La négation, le négatif, la négativité, Actes Sémiotiques, 117, 2014.

Fontanille, Jacques, “La sémiotique face aux grands défis sociétaux du XXIe siècle”, Actes Sémiotiques, 118, 2015.

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Landowski, Eric, Présences de l’autre, Paris, P.U.F. 1997.

Marrone, Gianfranco, e Dario Mangano, “Principi di semio-design. Forme dell’innovazione e teoria del progetto”, Ticonzero, 106, 2010.

Zilberberg, Claude, Eléments de grammaire tensive, Limoges, Pulim, 2006.

Published

2022-12-26

How to Cite

Ceriani, G. . (2022). La creatività nel campo semantico dell’innovazione. Revista Acta Semiotica, 2(4). https://doi.org/10.23925/2763-700X.2022n4.60166

Issue

Section

Dossier : Règles, régularités et création