Woman, speech and time

women's film payment and inscription

Abstract

The present work seeks to examine possibles ways for another reading of the role of women in cinema; both objectively – such as the increase in films directed by women in recent decades and how the occupation of these spaces, by female bodies, contributes to a heterity of discourses, creating a maintence of the symbolic/imaginary in culture – and subjective – The female gaze and the particularities of the representation of women by themselves – having as main basis to cross the theory of lacanian logical time, as well semblant and not-whole discourse, with the theoretical studies of Gilles Deleuze on the Movement- Image  and Time-Image, creating under a pshichoanalytic semiotics perspective, film analyzes by directors Alice Guy-Blaché and Maya Deren.