Cinema as a question: perceptions about the body in the movie Rosso come il cielo

Abstract

When considering the multiplicity of meanings caused by perceptual openness motivated by projection view of a cinematographic work, articulated the interrogative provoking imagery rhythm, I offer some perceptions on the notion of body in Merleau-Ponty from a dialogue with the movie as Rosso come il cielo. According to the french philosopher, aesthetic experience has its foundations in the perception of lifeworld in constructing meanings that articulate body-world-another-culture. In this relationship, the perception does not constitute a true but a place of experience between them possible. Rosso come il cielo invites the viewer to an intense perceptual experience that calls us to "relearn how to see the world", shuffling notions, concepts and colors, in that perceptual attitude of the body reveals the experience of unity and recursiveness sense that permanently project in the world and in life.