(UN)FOLDING TIME

A PHILOSOPHICAL ANALYSIS OF “CLOUD ATLAS” (2012)

Authors

DOI:

https://doi.org/10.23925/2318-9215.2023v9n1D2

Keywords:

Cloud Atlas (2012), Time, Fold, Deleuze, Klossowski

Abstract

This paper examines the film "Cloud Atlas" (2012), directed by Lana Wachowski, Tom Tykwer, and Lilly Wachowski, through a philosophical lens. It explores the narrative structure and creative choices of the film, comparing it to the original book by David Mitchell. The analysis focuses on the film's editing and its impact on the portrayal of time, while drawing on Gilles Deleuze's concept of “the fold” and Pierre Klossowski's notion of “vicious circle”. By investigating these philosophical ideas, the paper offers a deeper understanding of the suppression of time in the film and the persistence of essential gestures. It concludes by highlighting the significance of Philosophy and Film research in providing possible insights into complex philosophical concepts and artistic creations.

Author Biographies

Eberval Gadelha Figueiredo Junior , Universidade de São Paulo

Graduado em Direito pela Universidade de São Paulo (USP)

Gustavo Ruiz da Silva, University of Warwick | Monash University

Doutorando em co-tutela entre a University of Warwick (Reino Unido) e a Monash University (Austrália). Bolsista da Monash-Warwick Joint PhD Scholarship. Visiting Graduate Researcher na Johns Hopkins University (EUA). Recipiente da Warwick PhD and Early Career Research Fellowship. 

References

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Published

2024-07-28

How to Cite

Gadelha Figueiredo Junior , E., & Ruiz da Silva, G. (2024). (UN)FOLDING TIME: A PHILOSOPHICAL ANALYSIS OF “CLOUD ATLAS” (2012). PARALAXE, 9(1). https://doi.org/10.23925/2318-9215.2023v9n1D2