O museu como ambiente sensorial

Sensibilidades ocidentais e artefatos indígenas

Autores

  • Constance Classen McGill University
  • David Howes Université de Montréal
  • Patricia Rodrigues de Souza Pontifícia Universidade Católica de São Paulo, Brasil https://orcid.org/0000-0003-4749-6624

DOI:

https://doi.org/10.23925/1677-1222.2024vol24i3a19

Palavras-chave:

Objetos sagrados em museus, estética da religião, decolonialidade, religião material, cultura material

Resumo

Tradução do Capítulo 7 da obra Sensible Objects. Colonialism, Museums and Material Culture, editado por Elizabeth Edwards, Chris Gosden e Ruth B. Phillips. London: Berg Publishers, [2006]; London and New York: Routledge, 2020. Tradução de Patrícia Rodrigues de Souza, gentilmente autorizada por Taylor & Francis Group, editora proprietária dos direitos autorais da obra.

Downloads

Não há dados estatísticos.

Metrics

Carregando Métricas ...

Biografia do Autor

Constance Classen, McGill University

Doutora em História Cultural, McGill University, Montréal.

É historiadora cultural especializada em História dos Sentidos. Seus trabalhos mais recentes incluem The Deepest Sense: A Cultural History of Touch (University of Illinois Press 2012), Ways of Sensing: Understanding the Senses in Society (Routledge 2013, em coautoria com David Howes) e The Museum of the Senses: Experiencing Art e coleções (Bloomsbury 2017). Ela também é editora geral do conjunto de seis volumes História Cultural dos Sentidos (Bloomsbury 2014). Dra. Classen trabalhou como pesquisadora na Universidade de Harvard e na Universidade de Toronto. Ela também é como pesquisadora visitante no Centro Canadense de Arquitetura, onde investigou a dinâmica sensorial do movimento do Renascimento Gótico, e no Centro de Pesquisa Interdisciplinar em Música, Mídia e Tecnologia da Universidade McGill, onde se aprofundou nas conexões entre a estética multissensorial histórica práticas e desenvolvimentos atuais na arte multimídia.

David Howes, Université de Montréal

Doutor em Antropologia, Université de Montréal

David Howes é um antropólogo canadense e estudioso do direito. Ele é professor titular do Departamento de Sociologia e Antropologia e codiretor do Centro de Estudos Sensoriais da Concordia University, Montreal. Desde 2012, ele também é professor adjunto na Faculdade de Direito da Universidade McGill. Howes é mais conhecido como um pioneiro da antropologia dos sentidos e teórico do campo interdisciplinar dos estudos sensoriais. Além disso, ele publicou vários artigos sobre cultura material, museu e estética intercultural, bem como direito constitucional canadense e dos EUA, pluralismo jurídico e jurisprudência intercultural.

Patricia Rodrigues de Souza, Pontifícia Universidade Católica de São Paulo, Brasil

Doutora em Ciência da Religião pela PUC São Paulo.
Professora do Programa de Pós-Graduação em Ciência da Religião da PUC SP

Referências

ASCHER, Marcia; ASCHER, Robert. The Code of the Quipu: A Study in Media, Mathematics and Culture. Ann Arbor: University of Michigan Press, 1981.

ASCHER, Robert. “Inka Writing.” In Narrative Threads: Accounting and Recounting in KHIPU, edited by QUILTER, Jeffrey; URTON, Gary, pp. 103–115. Austin: University of Texas Press, 2002.

BENNETT, Tony. The Birth of the Museum: History, Theory, Politics. London: Routledge, 1995.

CANDLIN, Fiona. “Don’t Touch! Hands Off! Art, Blindness and the Conservation of Expertise.” Body and Society 10, no. 1 (2004): 71–90.

CARPENTER, William B. Principles of Mental Physiology. London: Henry S. King & Co, 1874.

CHAPMAN, William. “Arranging Ethnology: A.H.L.F. Pitt Rivers and the Typological Tradition.” In Objects and Others, edited by STOCKING, George, pp. 15–48. Madison: University of Wisconsin Press, 1985.

CLASSEN, Constance. Worlds of Sense: Exploring the Senses in History and Across Cultures. London: Routledge, 1993a.

CLASSEN, Constance. Inca Cosmology and the Human Body. Salt Lake City: University of Utah Press, 1993b.

CLASSEN, Constance. “Foundations for an Anthropology of the Senses.” International Social Sciences Journal 153 (1997): 401–412.

CLASSEN, Constance. The Color of Angels: Cosmology, Gender, and the Aesthetic Imagination. London: Routledge, 1998.

CLASSEN, Constance. “The Social History of the Senses.” In Encyclopedia of European Social History, edited by STEARNS, Peter, pp. 355–363. New York: Charles Scribner’s Sons, 2001.

CLASSEN, Constance (ed.). The Book of Touch. Oxford and New York: Berg, 2005.

DANT, Tim. Material Culture in the Social World. Buckingham: Open University Press, 1999.

DE LA ROCHE, Sophie. Sophie in London. Translated by CLARE Williams. London: Jonathan Cape, 1933.

EDWARDS, Elizabeth. Raw Histories: Photographs, Anthropology and Museums. Oxford: Berg, 2001.

FIENNES, Celia. The Journeys of Celia Fiennes. London: Cresset Press, 1949.

GILL, Sam. Native American Religions: An Introduction. Belmont, CA: Wadsworth, 1982.

GOSDEN, Chris; KNOWLES, Chantal. Collecting Colonialism: Material Culture and Colonial Change. Oxford: Berg, 2001.

HARVEY, Elizabeth (ed.). Sensible Flesh: On Touch in Early Modern Culture. Philadelphia: University of Pennsylvania Press, 2002.

HASKELL, Francis; PENNY, Nicholas. Taste and the Antique: The Lure of Classical Sculpture 1500–1900. New Haven: Yale University Press, 1981.

HERMANN, Frank. The English as Collectors. London: Chatto & Windus, 1972.

HOWES, David (ed.). The Varieties of Sensory Experience: A Source Book in the Anthropology of the Senses. Toronto: University of Toronto Press, 1991.

HOWES, David. “Introduction: Commodities and Cultural Borders.” In Cross-Cultural Consumption: Global Markets, Local Realities, edited by HOWES, David, pp. 1–16. London: Routledge, 1996.

HOWES, David. Sensual Relations: Engaging the Senses in Culture and Social Theory. Ann Arbor: University of Michigan Press, 2003.

HOWES, David. “Scent, Sound and Synaesthesia: Intersensoriality and Material Culture Theory.” In The Sage Handbook of Material Culture, edited by TILLEY, Christopher et al. London: Sage, (forthcoming).

IWAO, Shin’ichi; CHILD, Irvin L. “Comparison of Esthetic Judgments by American Experts and by Japanese Potters.” Journal of Social Psychology 68 (1966): 27–33.

KONDO, Dorinne. “The Way of Tea: A Symbolic Analysis.” In Empire of the Senses: The Sensual Culture Reader, edited by HOWES, David, pp. 221–234. Oxford: Berg, 2004.

LAFORET, Andrea. “Relationships between First Nations and the Canadian Museum of Civilization.” Paper presented at Haida Repatriation Extravaganza, Masset, B.C., May 22, 2004.

L’ISLE-ADAM, Villiers de. Tomorrow’s Eve. Translated by Robert Martin Adams. Urbana, IL: University of Illinois Press, 1982.

MACGREGOR, Gavin. “Making Sense of the Past in the Present: A Sensory Analysis of Carved Stone Balls.” World Archaeology 31, no. 2 (2001): 258–271.

MITCHELL, Timothy. Colonising Egypt. Cambridge: Cambridge University Press, 1988.

OUZMAN, Sven. “Seeing is Deceiving: Rock Art and the Nonvisual.” World Archaeology 33, no. 2 (2001): 237–256.

PAREZO, Nancy J. Navajo Sandpainting: From Religious Act to Commercial Art. Tucson: University of Arizona Press, 1983.

POINTON, Marcia. “Materializing Mourning: Hair Jewellery and the Body.” In Material Memories, edited by KWINT, Marius; BREWARD, Christopher; AYNSLEY, Jeremy, pp. 39–57. Oxford: Berg, 1999.

REICHEL-DOLMATOFF, Gerardo. Basketry as Metaphor: Arts and Crafts of the Desana Indians of the Northwest Amazon. Los Angeles: Museum of Cultural History, University of California, 1985.

REICHEL-DOLMATOFF, Gerardo. Shamanism and Art of the Eastern Tukanoan Indians. Leiden: E.J. Brill, 1987.

SAUNDERS, Nicholas J. “Biographies of Brilliance: Pearls, Transformations of Matter and Being.” World Archaeology 31, no. 2 (1999): 243–257.

SCHILLER, Friedrich. On the Aesthetic Education of Man. Edited and translated by Elizabeth M. Wilkinson and L.A. Willoughby. Oxford: Clarendon, 1982.

SEREMETAKIS, C. Nadia (ed.). The Senses Still: Perception and Memory as Material Culture in Modernity. Boulder, CO: Westview, 1994.

STAHL, Ann Brower. “Colonial Entanglements and the Practice of Taste: An Alternative to Logocentric Approaches.” American Anthropologist 104, no. 3 (2002): 827–845.

STEWART, Susan. “Prologue: From the Museum of Touch.” In Material Memories: Design and Evocation, edited by KWINT, Marius; BREWARD, Christopher; AYNSLEY, Jeremy, pp. 17–36. Oxford: Berg, 1999.

SULLIVAN, Lawrence E. “Sound and Senses: Toward a Hermeneutics of Performance.” History of Religions 26, no. 1 (1986): 1–13.

SYMONDS, John Addington. Renaissance in Italy. New York: Modern Library, 1935.

THOMAS, Nicholas. Entangled Objects: Exchange, Material Culture, and Colonialism in the Pacific. Cambridge, MA: Harvard University Press, 1991.

WALPOLE, Horace. Horace Walpole’s Correspondence with the Countess of Upper Ossory. Vol. 33, edited by W.D. Wallace and A.D. Wallace. New Haven: Yale University Press, 1965.

WITHERSPOON, Gary. Language and Art in the Navajo Universe. Ann Arbor: University of Michigan Press, 1977.

Downloads

Publicado

2025-03-15

Edição

Seção

Seção temática