Art, politics, Christian faith, poetry

a dialogue to question borders

Authors

DOI:

https://doi.org/10.23925/1982-6672.2022v15i43p84-102

Keywords:

Christianity, Art and Culture, Poetry, Policy

Abstract

In today's Brazilian society, the Christian religion is at the center of artistic-cultural political schedules that demarcate divisions and disputes, articulated mediatically. The aim of this text is to question the constitution of these limits. Therefore, I take as a premise the conception of poetry as the essence of art, searching for the points of contact and/or friction between poetic expressions and Christianity. As a method, I used the essay, having as main references Rubem Alves and Adélia Prado, since their lives and works have as their starting point the Christian religiosity. The dialogue is also made with Paz, Heidegger, Benjamin and Lotman. The main considerations made here point to a series of associations between poetry and Christian faith, which do not admit dogmatism, nor thematic prohibitions – which is opposed, therefore, to the limiting evocations, in vogue in the public sphere.

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Author Biography

Isabella Pichiguelli, University of Sorocaba

PhD student in Communication and Culture at the University of Sorocaba (Uniso). Researcher at the Media Narratives Research Group (NAMI/Uniso/CNPq) and at the Media, Religion and Culture Research Group (MIRE/Intercom).

References

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BOFF, Leonardo. Tempo de Transcendência: O Ser Humano como um Projeto Infinito. São Paulo: Lumensana Publicações Eletrônicas: Sextante, 1992. CUNHA, Magali do Nascimento. Do púlpito às mídias sociais: evangélicos na política e ativismo digital. 1.ed. Curitiba: Editora Prismas, 2017.

DRAVET, Florence. Crítica da razão metafórica: magia, mito e poesia na cultura contemporânea. Brasília: Casa das Musas, 2014.

DUTRA, R.; PESSÔA, K. Guerras culturais e a relação entre religião e política no Brasil contemporâneo. Revista Brasileira de História das Religiões, v. 13, n. 39, p. 233-256, 4 dez. 2020.

FLUSSER, Vilém. Criação científica e artística. In: Conferência na Maison de la Culture, França, 1982. Disponível em: <http://flusserbrasil.com/art209.pdf>. Acesso em: 16 jul. 2020.

FLUSSER, Vilém. O mundo codificado. São Paulo: Cosac & Naify, 2007.

HEIDEGGER, Martin. A Origem da Obra de Arte. In: HEIDEGGER, Martin. Caminhos de Floresta. Lisboa: Calouste-Gulbelkian, 2002. p. 5-88.

Published

2022-07-01