Deepfakes from a semiotic perspective

Authors

  • Carlos Eduardo de Souza Pontifícia Universidade Católica de São Paulo, Faculdade de Ciências Exatas e Tecnologia, Programa de Pós-Graduação em Tecnologias da Inteligência e Design Digital, São Paulo, São Paulo, Brasil.
  • Lucia Santaella Pontifícia Universidade Católica de São Paulo, Faculdade de Ciências Exatas e Tecnologia, Programa de Pós-Graduação em Tecnologias da Inteligência e Design Digital, São Paulo, São Paulo, Brasil.

DOI:

https://doi.org/10.23925/1984-3585.2021i23p26-44

Keywords:

Deepfake, Fake News, Semiotics, Peirce, Social networks

Abstract

Fake news is a known weapon of disinformation capable of threatening democracy. At a time when traditional media are constantly attacked and accused of being part of a major conspiracy to maintain the power of the ruling classes, people have turned social networks into their primary source of information. As there is less control over what circulates there, it is supposed that they bring less risk of manipulation by traditional media. At the intersection of factors such as the democratization of content production without any supervision, the personalization of messages that do not confront the user and the encouragement of sharing, fake news finds a field to flourish and spread. In 2017, under the name of deepfake, they evolved from being just messages in text format, to relying on the manipulation of images, audio and videos. Its ability to forge reality practically imperceptibly, even for specialists, caught the attention of the media and academia. To discuss the effects and threats of this technology, and how to combat them, this article, based on the semiotics developed by Peirce, points to the effort made by the producers of the video “In Event of Moon Disaster” to create educational content to alert people about the consequences of deepfakes.

Author Biographies

Carlos Eduardo de Souza, Pontifícia Universidade Católica de São Paulo, Faculdade de Ciências Exatas e Tecnologia, Programa de Pós-Graduação em Tecnologias da Inteligência e Design Digital, São Paulo, São Paulo, Brasil.

Carlos Eduardo de Souza é bacharel em Administração pela Universidade Presbiteriana Mackenzie e mestrando em Tecnologias da Inteligência e Design Digital, PUC-SP.

Lucia Santaella, Pontifícia Universidade Católica de São Paulo, Faculdade de Ciências Exatas e Tecnologia, Programa de Pós-Graduação em Tecnologias da Inteligência e Design Digital, São Paulo, São Paulo, Brasil.

Lucia Santaella is a researcher 1A at CNPq, and a professor at PUC-SP. She has published 51 books and organized 24, besides the publication of more than 400 articles in Brazil and abroad. She has received the Jabuti prize (2002, 2009, 2011, and 2014), the Sergio Motta prize (2005), and the Luiz Beltrão prize (2010).

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Published

2021-10-12

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