From image reproduction to algorithmic fissures

biases, deviations and other fields of possible

Abstract

The use of Artificial Intelligence has grown considerably in several areas. However, this type of technology is not neutral and can enhance biases already present in databases or point out correlations where there are only coincidences, as it engenders a specific mode of knowledge based on identifying patterns and statistical probability. In this scenario, abuses of various types have been recurrent in their use, as have efforts to report them. Given this, would it be possible to search for other forms of relationship with technology based on the study of contemporary artistic practices? A relationship that does not aim to close the world in on itself, seeking to enclose its multiplicities in a game of correlations and probabilities, but to expand it? This work seeks to analyze some ways in which contemporary art has made use of Artificial Intelligence technologies, observing how different modes of operation relate to highlight, question or produce realities.