Michael Snow: Cinema as Gradual Process

Authors

Keywords:

structural film, process music, Wavelength process, Michael Snow

Abstract

This paper proposes an interpretation of Wavelength (1967), by Michael Snow, that privileges the notion of process in detriment of the notion of structure, which has been a predominant concept in Snow's extensive critical fortune. The hypothesis presented here is that we can better understand the proposal and implications of the film by contextualizing its procedures in the critical debate on process music and art in the 1960s, throught a genealogical and comparative study.

Author Biography

Hermano Arraes Callou, Universidade Federal do Rio de Janeiro

Doutor em Comunicação e Cultura pela UFRJ. Professor Substituto do departamento de Métodos e Áreas Conexas da UFRJ.

References

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ELDER, Bruce R. The Structural Film: Ruptures and Continuities in Avant-Garde Art. In: HOPKINS, David. Neo-Avant-Garde. Amsterdam: Rodopy, 2006.

GIDAL, Peter (org.). Structural Film Anthology. Londres: British Film Institute, 1976.

GREENBERG, Clement. Art and Culture: critical essays. Boston: Beacon Press, 1989.

_______. Pintura Modernista. In: COTRIM, Cecília; FERREIRA, Glória. Clement Greenberg e o debate crítico. Rio de janeiro, Zahar, 2001.

JOSEPH, Branden W.. Robert Morris and John Cage: reconstituting a dialogue. October, no. 81, verão, 1997.

KRAUSS, Rosalind. A Voyage on the North Sea: Art in the Age of the Post-Medium Condition. Londres: Thames & Hudson, 2000.

LEGGE, Elizabeth. Wavelength. Londres: Afterall Books/ MIT Press, 2009.

MICHELSON, Anette. Em direção a Snow. In: DUARTE, Theo; MOURÃO, Patrícia. Cinema Estrutural. Rio de Janeiro: Caixa Cultural do Rio de Janeiro, 2015.

MONTE, James; TUCKER, Marcia. Anti-Illusion: Procedures /Materials. Nova York: Whitney Museum of American Art, 1969.

Published

2022-05-19

Issue

Section

Artigos | Articles