Apprehending Dom Casmurro through Criticism Posed to Novel and Television Micro-Series

Abstract

This paper aims to identify modalities of dialogue between the television series Capitu by Luis Fernando Carvalho and the novel Dom Casmurro by Machado de Assis. It is based on the theory of narratology, mainly on Gerard Genette’s contributions. In order to consolidate the study on the nature of narratives, we propose that the texts be read based on the available scrutiny of the two pieces. Moreover, we intend to apprehend the meanings of image and time related to the television show, the process of adaptation, and the modern artistic movements that are found in the process of transmutation of the narrative from a support based on verbal code to a support based on audio-visual-verbal code.