José de Alencar’s Drama Mãe and the African-Brazilian Social Voices

Authors

Keywords:

Alencar’s drama, Social voices, Slave culture

Abstract

This paper analyzes the drama Mãe, written by Jose de Alencar. The narrative takes place in Rio de Janeiro in the second half of nineteenth-century and portrays domestic African slavery. The theoretical background is based on the ideas of Bakhtin and the Circle, focusing on the social discourses about slavery in Brazilian society present in the characters’ speeches. This investigation leads readers to perceive the positions on slavery that society supported and that penetrate Mãe. Some historical discourses written in the twentieth century are analyzed, offering a dialogical dimension to Alencar’s play. The characters’ voices portray either their submission to slavery or their autonomy, the latter representing their resistance to captivity. Reading this drama today is important because of the slave culture that still prevails in our society.

Downloads

Download data is not yet available.

Metrics

Metrics Loading ...

Author Biographies

Angela Maria Rubel Fanini, UTFPR; UNIANDRADE

DOUTORADO EM TEORIA DA LITERATURA, UFSC.

Professora da Pós-graduação em Tecnologia e Sociedade da UTFPR.

Professora da Pós-Graduação de Teoria Literária da UNIANDRADE.

Bolsista em Produtividade em Pesquisa, CNPq.

Maria Domingos Pereira Ventura, Rede Estadual de Ensino do Estado do Paraná

Graduada em Filosofia e Letras.

Mestrado em Tecnologia e Sociedade, UTFPR.

Published

2019-08-06

How to Cite

Fanini, A. M. R., & Ventura, M. D. P. (2019). José de Alencar’s Drama Mãe and the African-Brazilian Social Voices. Bakhtiniana. Revista De Estudos Do Discurso, 14(3), Port. 176–198 / Eng. 182. Retrieved from https://revistas.pucsp.br/index.php/bakhtiniana/article/view/36669

Issue

Section

Articles