Women’s Writing Between the Border and the Non-Place: The Emerging Female Discourses in Italian Migrant Literature

Resumen

In the midst of the Soviet Perestroika process, Yuri Lotman wrote his reflections on the concept of boundary. Having witnessed massive migrations, forced expulsions and unprecedented ethno-geographical reconfigurations, he knew how much a border can be loaded with a cultural meaning that transcends its spatial dimensions. To be aware of this was all the more urgent at a historic time of transition, rebuilding and opening, when linguistic-cultural policies could be a means of promoting integration and accepting the “foreigner.” This contribution takes this historical and conceptual framework as its starting point and aims to analyze a cultural phenomenon of great current interest in contemporary Italian literature: the increasingly “intrusive” presence of women writers from the former colonies who choose to produce their works in a “foreign” language (Italian), using writing as a field of experimentation, cultural hybridization, and generation of a public discursive space, bearer of the female migrant gaze.