Semiotics of human-robot relations

Authors

  • Marina Costin Fuser University of São Paulo, Institute for Advanced Studies, University of São Paulo, São Paulo, Brazil. https://orcid.org/0000-0003-0931-0673

DOI:

https://doi.org/10.23925/1984-3585.2021i24p41-57

Keywords:

Human-robot relationship, Gender and AI, Feminism and technology, Feminist robots

Abstract

This article is an attempt to map how feminist studies approach experiences between humans and robots in the fields of semiotics, cultural studies, and critical theory. The author delves into the theories, speculations, and accounts of observation
(where the body of the observer tends to be included) in research on artificial intelligence and cybernetic culture. The paper seeks to relate conversations, continuities, and gaps between interpretations of the relationship between humans and robots, human and posthuman, and the cracks in the codes when approaching this border region. To what extent do gender relations and otherness acquire relevance in cybercultural debates?

Author Biography

Marina Costin Fuser, University of São Paulo, Institute for Advanced Studies, University of São Paulo, São Paulo, Brazil.

Marina Costin Fuser is a social scientist, PhD in film and gender studies at Sussex (CAPES), with a sandwich doctorate at Berkeley. She is currently doing post-doctoral research at IEA-USP on learning technologies and in intelligence technologies on the semiotics of feminist robots at TIDD/PUC-SP. Her research includes: a study of women's emancipation in Simone de Beauvoir, women in Hilda Hilst's political theater, and nomadism in the cinema of Trinh T. Minh-ha. At Sussex, she has taught in the field of cultural studies. She has published the books Words that Dance on the Edge of an Abyss: Women in the Dramaturgy of Hilda Hilst (EDUC) and co-edited Women Behind the Cameras: Brazilian Filmmakers from 1930 to 2018 (Estação Liberdade).

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Published

2022-03-09