Juvencus and the biblical epic: specificity and literary criticism

Abstract

Latin Christian poetry has emerged in  Constantine Era and flourished between 400 and 800. It has a fundamental role in the development of literary theory and critical discourse, because, except for Prudencio, the rest of the poets of this first period has chosen by the adaptation of the classical canon to Christian themes. The Christian epic is therefore one of the first genres and begins as biblical epic. The first major work of this type is the Gospel Harmony from the Spanish poet Juvencus, until 330. This work begins a long series of biblical poetry, Latin at first, but after this there is its continuation in the vernaculars, like Caedmon, Cynewulf, The Heliand, The Passion by Clermont till Ojeda, Milton and Klopstock.The dedication to the established authority , the subordination of the art´s purpose for the salvation of the soul as well as the desire to legitimize poetry with Christian arguments remain as fundamental premises in the construction of gender. When the modern epic apear, its compromise with new theological Aporia will not lose those extraliterary requirements from provenance.

Keywords: Latin Christian poetry; Constantine Era; Virgil.