No. 47 (2022): Galáxia

View No. 47 (2022): Galáxia

Published: 2022-05-19

Abertura

Abertura / Expediente

Francisco Trento
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Artigos | Articles

Family, school and cultural consumption: articulations of the empirical field to perceive media consumption

Milena Freire de Oliveira-Cruz, Camila da Silva Marques
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From the denials to the image to the assertions of the self From the edges between auto/biographies/fictions as a reflexive act in This is not a film

Márcio Henrique Melo de Andrade
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Mapping comments and feelings on Jair Bolsonaro's Instagram profile about Covid-19

Douglas Farias Cordeiro, Maiara Raquel Campos Leal, Larissa Machado Vieira, Núbia Rosa da Silva
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Journalism theories The complex mediator hypothesis: from exemption (possible) to independence (necessary)

Juremir Machado da Silva, Álvaro Larangeira
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Politics of haunting bolsonarist populism as a production of uncanny doubles

Maria Cristina Franco Ferraz, Ericson Saint Clair
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The nude and the dressed (on the occasion of the discovery of Brazil)

Victor Luiz da Rosa
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Fabricating numbers: an analysis of Netflix Original series’ viewership data

Daniel Rios
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“O Carlos teve azar, foi o primeiro da lista”: insights into re- pression in Mozambique based on the relationship between media and rap

Francisco Carlos Guerra de Mendonça Júnior
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Singularities and differences in pop music A review of the term world music in the media

Herom Vargas, Nilton Faria de Carvalho
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The king and the court jester: scenography, ethos and archetypes in the presidential speech

Ernani Cesar de Freitas, Fernando Simões Antunes Junior, Luis Henrique Boaventura
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Evolutionary Epistemology a heuristic for communication

José Luiz W. J. G. Braga
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“Stop suffering!”: Universal Church discourses on depression through the covid-19 pandemic

Emanuelle Gonçalves Brandão Rodrigues, Amanda Borba da Silva, Flávia Carvalho de Freitas
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The Imprisonment of women The Handmaid’s Tale in contemporary times

Luciane de Paula, Rafaela dos Santos Batista
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The Huni Huin countercolonial cinema the covert face of colonialism

Marcos Aurélio Felipe
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A cavalaria como imagem de mundo: manu militare e ambivalências políticas

Ada Cristina Machado Silveira
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How can journalism studies benefit from a systems theoretical approach? Luhmann’s systems theory applied to journalism

Regina Cazzamatta
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Retratos de província: fotografias de estúdio, invenções do eu e arquivos da memória

Beatriz Jaguaribe, David Gómez López
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Six dimensions of analysis between broadcast and mobile devices in TV news language at Covid-19 coverage

Marlise Viegas Brenol, Maíra Evangelista de Sousa, Alciane Baccin
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The method of the scene in Jacques Rancière: dissensus, non- hierarchical dispositions and disruption

Angela Cristina Salgueiro Marques
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Lovecraft’s uncanny presence in Brazilian cinema: expressive appropriations in the 1970s and 2010

Lucio Reis Filho, Sheila Schvarzman
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The In that strange March of 2016 excess and repetition in Jornal Nacional

Consuelo da Luz Lins, Caio Bortolotti
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Do I fuck you or do you fuck me? Performance, pornotopia and aesthetic claim of violence in Baise-moi, by Virginie Despentes and Coralie Trinh Thi

Gabriela Machado Ramos de Almeida, Daniel Zacariotti
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This is not a clown! Joker (2019), the artist beneath the shadow of the bat

Yuri Garcia
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Huillet-Straub in modern cinema: authorship as primacy of material and libertarian spectatorship

Dalila Camargo Martins
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The meanings of lives in the contexto od the pandemic: from escapismo and philanthropy to identity logics Les sens des vies dans le contexte de la pandémie : de l'évasion et de la philanthropie aux logiques identitaires

Clotilde Perez, Silvio Sato, Bruno Pompeu, Rafael Orlandini
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Tremendão and Erasmo Carlos beetween the individual and the celebrity

Marcelo Garson
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The cemetery of lost souls: how an image of horror retells history and rediscovers Brazil Como uma imagem de horror reconta a história e redescobre o Brasil

Giancarlo Couto, Cristiane Freitas Gutfreind
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The noisy photography of Miroslav Tichý: the agency of artisanal photographic equipment in the construction of an aesthetic of precariousness

Paula Davies Rezende
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Slumber spectator and cinema of slowness Serra, Kiarostami, Apichatpong

Eduardo Brandão Pinto
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Space and experience in immigrant restaurants

Alexandre Marcelo Bueno
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Plataformas de Fazendas de Clique: Click farm platforms: working conditions, materialities and forms of organization

Rafael Grohmann, Maria Clara Aquino, Alison Rodrigues, Évilin Matos, Caroline Govari, Adriana Amaral
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The debate on rape: event and sexual violence against a teenager girl

Terezinha Silva, Raquel Dornelas
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Isn't it weird what an audience can do? The interactional arrangement in the final of RuPauls's Drag Race

Rodrigo Duarte Bueno de Godoi
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Michael Snow: Cinema as Gradual Process

Hermano Arraes Callou
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On the urge of nonfiction: narrative journalism and its political and literary challenges

Márcio Serelle
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Space, Place and Territory in Cinema

Vitor Zan
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Reviews

The quantum politics of the chaos engineers, by Giuliano da Empoli

Fabricio Barili, Évilin Thaoane de Matos Campos
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The social future throught the plants

Francisco Jadson Silva Maia
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Audiovisual performance in focus: investigating the live image

Juliana Garzillo
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Impediment in culture

Luiza Almeida Rosa
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Cartography of a[r]tivism in times of [re]existence Art and politics in dark times

Leonardo De Marchi, Julia Ourique
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